After graduating in Western Languages and Literature, I majored in Art Management through an international master's degree. Passionate about art and mainly focused on graffiti and street art, I have been working since 2011 as an assistant and studio manager for the artist Manuel di Rita, aka Peeta, being interested in the management of public mural interventions and in the organization and curatorship of his exhibitions, as well as of communication and logistics for his studio. At the same time, I have collaborated in various positions in national and international projects, mainly related to urban art and the redevelopment of public spaces. Finally, I was selected by schools, universities and training centers as a teacher and guest-speaker on the occasion of courses dedicated to management in the artistic field.






Anabelle Rodríguez works as an adjunct professor teaching global histories of art. As a curator she has developed a versatile practice staging exhibitions and related events for experimental art spaces and cultural organizations including the Icebox Project Space at Crane Arts, Art in City Hall in Philadelphia, and The Clemente in New York City. Her interdisciplinary projects have included conducting ethnographic research during the 54ma Biennale di Venezia out of the United States Pavilion. She also served as the inaugural curator for the International Curatorial Exchange at Crane Arts with the commission of the large-format extruded aluminum sculpture Orange Tree (2009) by Cuban artist Alexandre Arrechea for Philagrafika 2010 with Magnan Metz Gallery (NYC). 

Anabelle’s most recent project is titled Curating Xunantunich, a dissertation based on five years of field and archival research. This project includes the visual documentation of the conservation of ancestral Maya culturalnatural heritage by excavators and masons from modern Maya descendant communities that labor as Indigenous archaeologists and heritage conservators in Belize, Central America:

Curating Xunantunich: Maya Ethnohistory & Iconography at the APS's Library

Curating Xunantunich: A discussion on the local curation of Maya sites with Anabelle Rodríguez






Brad Clark is a Journalist, Writer and Curator that writes for various magazines and publications around the subjects of contemporary Fine Art, Graphic Design, Photography and Modern Aesthetic Theory. Brad studied initially at Colchester Sixth Form and then some time at Goldsmiths and the University of East London (Docklands) where he studied History of Art, specialising in Linguistics and Semiotics, History of Design and the Consumption and Business practices of Fine Art. His passion for Contemporary Fine Art has led him to create Broken Vault, an Agency that seeks to support and offer advice to emerging artists, giving them the opportunity to develop, grow, exhibit and ultimately sell their work in perhaps the worlds most vibrant and buoyant art market, London.







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